Doctor Who survived its end of history moment. The last three years of its first run saw a refocusing on the postwar Britain of paternalist, class-led social democracy not as the present or near future, but as the past just gone. The pastiche of Paradise Towers is drawn from the 1970s with its acknowledgements of J.G. Ballard’s High-Rise and Monty Python’s Flying Circus’s architect sketch, but collides with a design aesthetic which doesn’t know how to navigate the fashions of the 1980s let alone reconcile them with the script, and consequently any statement on society which Paradise Towers makes is stifled. The first story to explicitly explore this new hinterland of the newly-lost present with some success is Delta and the Bannermen.

For more in this vein read the fourth part of my look at Doctor Who and British national identity, over at John Connors's Time Lines blog.
More musings on Doctor Who and national identity from me have been published at John Connors's Time Lines blog. I've written an introduction with more ideas at The Event Library, and the posts themselves are available at part two and part three.
The first part of a series of musings on Doctor Who and British identity, at John Connors's Timelines blog, originally commissioned by John for the fanzine Plaything of Sutekh which he co-edited with Richard Farrell. A short introduction can be found at The Event Library, too.
In seventeenth-century Britain a change from one denomination to another threatened not just eternal damnation but damage to one's material condition in the present. This was especially true in Scotland where the identity of the Scottish Church was more contested than it was in England and the elite arguably broader and more fissured. In 1688 Walter Ogilvy, Lord Deskford, eldest son and heir of James Ogilvy, third earl of Findlater, converted to Catholicism from the (then episcopal) Church of Scotland. This is how his father warned his younger son James (later first earl of Seafield and eventually fourth earl of Findlater) about the danger his eldest son posssessed, and how they needed to rapidly exclude him from inheriting the family estates:

I cannot but desier you to remmeber to consult your bussines of the convayence of my esteat in your person; for although Walter be nou in my house, yett be his still frequenting the Popish chappell and continouing in odd and most unacountable actions, ther can be no good expected of him so ye need to be the mor circumspect in garding your selfe against his evell.

---The Correspondence of James First Earl of Seafield, pp 42-43

(Charles II appears in the userpic in the absence of his brother James VII and II, then reigning.)
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