Picture as it appeared at The Event Library, where this post first was made )

My review of The Timeless Children, like that of Ascension of the Cybermen, appears at Space-Time Telegraph, the blog which is the successor of its writer-editor John Connors's fanzines, which included Top, Faze and This Way Up. I wrote it having only seen the story once and much of my initial enthusiasm was qualified by other people's reservations. Having rewatched some of the episode since, I was reminded of the focused performances throughout and minimizing of languor. Jodie Whittaker's portrayal of the Doctor's fury and disgust at the Master was electrical, combined with eye-rolling expressions of frustration at just how tedious her old friend can be.


I wrote in the review that there had been no indication in Ascension of the Cybermen that the Doctor was periodically experiencing chapters in the saga of Brendan the Irish policeman - 'Gallykissangel', as I've called it, the term having been suggested by Paul Dumont. Ian Bayley has pointed out that there are odd lines of dialogue in Ascension which might suggest that the Doctor is being surprised by new Brendan scenes, but if so I still find them very understated.


As for the review itself:


So it was about authorship after all. Ascension of the Cybermen turns out to have been undermined throughout by a streaming hacker who couldn’t resist introducing it himself at the end and boasting of his reinterpretation of the ensuing acts, of which the Doctor was both audience and unwitting star. The Timeless Children was visually engaging television and I was surprised by some of the resolution it presented, if only because I was expecting something more complicated. Performances were very strong, and as with Ascension of the Cybermen, I felt an energy in the production which I’ve rarely experienced in the Chibnall era. There were a few moments when it seemed The Timeless Children did not marry so well with Ascension of the Cybermen, however, and in hindsight the episode left lingering doubts about the wisdom of the decisions therein.


Read more...



(Apologies for the large spaces between paragraphs, but this must be what happens when you copy across another site's code.)
Image as shared on The Event Library, where this post first appeared )

Back to reviewing this week, this time for John Connors's Space Time Telegraph site. Go there to explore the thoughts of John and occasional guests on matters Doctor Who present, past and future, including valuable reminiscences of the early years of British Doctor Who fandom. So what did I think of Ascension of the Cybermen?


Ascension of the Cybermen is ‘about’ narratives and their ownership. It teases with an opening narration through which Ashad, the Lone Cyberman, frames the story which follows as his. The discovery of the title sequence within the eyehole of a detached Cyberman head might suggest the Doctor’s victory over the dead Cyberman, or alternatively that only the Cybermen, in their undeath, survive to tell this tale. As the episode unfolds, this question of ownership of the narrative is raised again and again. Whose story are we watching? Whose story is Brendan’s, from its mythically golden morning to its dully nightmarish twilight? It’s left uncertain where his reality lies. The Doctor and friends arrive specifically as visitors to the end of the Cyber Wars, there to make sure the last humans survive and frustrate the recreation of the Cyber Empire, but are swept forward in a small, final refugee wave as their scheme is frustrated, struggling to retain possession of their destinies. 


Read more...

Finally, a few minutes before Praxeus started, I completed my write-up of Fugitive of the Judoon for the Doctor Who News Page.
I didn't manage to review Orphan 55, which I found very variable - a weak set-up, strong but overearnest middle and solid conclusion with a final speech which wasn't quite earned and some odd choices throughout - I did enjoy Nikola Tesla's Night of Terror, and some of what I thought is set out here.
I undertook the review of the second part of Spyfall for the Doctor Who News Page even though time was much more limited this week. The changes in the way I recalled the episode over the few days in which I wrote it are probably apparent! I enjoyed it, but I had a few concerns about some crucial moments.

Doctor Who 12.2 - Spyfall: Part Two, at Doctor Who News Reviews
I hadn’t intended to review any of Spyfall until after the broadcast of the second part, but the steady ratcheting of tension, the joyous manipulation of borrowed elements, and a by now well-known revelation led me to volunteer to write something for the reviews section of the Doctor Who News Page within a few minutes of transmission having ended. Read on at Doctor Who Reviews.
Registering here the outpouring of memorializing I've mainly joined in with elsewhere. Terrance Dicks was a great storyteller, a wry colluder with the childhood imagination, a subtle improver of memories of lost television. He was also acutely aware of structure, genre and his and his work's place in time, and of his work as collaborative act, whether with cast and crew or with publishers, and of course with the audience. The way in which Doctor Who is written and written about still owes a huge amount to him - and how many remember fondly his children's creations such as T R Bear, his many other series (I remember his 1981 novel Cry Vampire which includes a defence of children watching horror as well as Doctor Who) and his stewardship in the 1980s of the BBC Sunday afternoon classic serials? I look forward to him receiving due appreciation in the press in the coming days - I gather Toby Hadoke is already hard at work - and I remember well the experienced writer talking through one gauche undergraduate's attempt to invite him to Oxford over the phone. He did visit, though I continued to make faux pas with him over the next two and a bit decades. He was good and generous company, however.
We have been busy at Tides of Time towers (a block of flats outside Oxford as much as a student room in an ancient college) and have published a special pdf-only issue reporting from Doctor Who conventions at Aldbourne, Banbury, Bedford and Derby as well as appearances in the recent past by Russell T Davies and in the more remote past by Sophie Aldred. To find out more and download the special (no charge), see this post.
sir_guinglain: (Zen)
( Jun. 3rd, 2019 11:44 pm)
Intense, maverick, brilliant, difficult to cast at times I suspect, the life and soul of Blake's 7. "Did you betray me?" No, we will always be waiting for you.
Russell T Davies's talk to Worcester College, Oxford and (by invitation of the provost) the Oxford (University) Doctor Who Society was enjoyable. I wasn't in the target audience, of course - there was a lot of talk about how to get into television and how Russell failed to get into the BBC training course three times, ending up by going in as a 'worker' through an ordinary job application and not as management. There was a definite sense of how glad he was to leave Doctor Who and that he spent a long time picking up the threads of his life that he'd dropped to make the series. Nevertheless, despite the attempted interventions of Jonathan Bate, the provost of Worcester - who four years ago encouraged him to persevere with A Midsummer Night's Dream for BBC One when the budget and logistics were collapsing - to take him away, Russell talked to people and posed for photographs for three quarters of an hour. The talk - excluding the Q&A - should appear at the Worcester College website soon if it hasn't already.
Issue 43 of The Tides of Time, first published at the end of April 2019, is now available as a free PDF download. See this page for contents and links to the download and (still available) print editions.
Copied directly from website of said zine, published by the Oxford (University) Doctor Who Society:

The Tides of Time #43 for Trinity Term 2019 is now available in print to discerning readers everywhere! The issue is 80 pages of full A5 colour, and print copies of this issue are available through this link

Features include:

Reviews of Series 11

  • ‘Perhaps I’ve thought everything I’ll ever think’ – Ian Bayley discusses the Society’s predictions for Series 11

  • The Victoria Line – Society President Victoria Walker reviews each episode of Series 11

  • ‘If I was still a bloke, I could just get on with the job and not have to waste time defending myself’ – Georgia Harper discusses the response to the Thirteenth Doctor’s debut

  • Team, gang, fam? –  Francis Stojsavljevic summarises the collective views of the Society on the episodes, characters and features of Series 11

  • ‘I’ve lost track of what’s actually happening’ – Georgia Harper relays the reactions of Time and Relative Dimensions in Shitposting

  • Say you want a Resolution – Matthew Kilburn reviews the New Year’s Special


Poetry

  • Haiku for The Woman Who Fell To Earth by William Shaw

  • Haiku for The Witchfinders by William Shaw

  • Haiku for Resolution by William Shaw


Books

  • Timewyrm Tales – James Ashworth reviews the first four novels of the Virgin New Adventures

  • Bookwyrm Reviewed – Stephen Brennan reviews Bookwyrm, the new novel exploring the New Adventures in their entirety, from Robert Smith? and society alumnus Anthony Wilson

  • You all right, Hun? – Georgia Harper reviews the new Thirteenth Doctor novel, Combat Magicks


Features

  • Wise Men Say – Andrew O’Day discusses the allegories of Kinda andSnakedance

  • As Time Goes By – Oli Jones defends The Time of the Doctor

  • Top or Flop: The Capaldi Conundrum –  James Ashworth and Ian Bayley debate the relative merits of the Capaldi-era titles

  • Hail to the Chief – Rory Salt shines light on the work of Big Chief Studios

  • Hmm? – Ian Bayley discusses David Bradley’s work on Doctor Who, after his visit to the Oxford Union

  • Equilibrium by Philip Holdridge, featuring the new TARDIS crew on a mission to another universe


Again, here's the link to buy through!
sir_guinglain: (George head)
( Mar. 3rd, 2019 03:40 am)
My cold is perhaps improving; I slept fitfully during the night and awoke not long before my parents took some glass and grass to the tip; I went too as their health issues are worse than mine. This turned into an extended shopping trip, as (among other things) we searched for the double of a soup I'd bought in Aldi in Chipping Norton and found that Aldi doesn't stock it in Westerhope. A lesson in local buying. A dash for tissues and menthol sweets at nearer shops to my parents' led to a chat with their less visible neighbours, eating sandwiches outside the bakers', who turned out to be very friendly - they now have a puppy (present at shops) to add to their cat (not present, unsurprisingly), and the puppy ("joined at the hip" to the six-year-old daughter) let me stroke her forehead (most of her was swaddled in blanket by six-year-old, who liffted her dog up so it could see a picture of a certain long-deceased Samoyed) which is more than I've had from the cat (whom I've been misgendering for a year on the basis of their name being traditionally used by a male pantomime character). After all this excitement and following lunch I fell asleep again (but not before watching Star Trek Discovery on my phone - a fairly good episode even though I am not convinced by the Georgiou strand) and was woken at half-time by my mother who was bored by West Ham versus Newcastle and needed to form a support group. J joined us via Skype.

I have not managed any work these last two days and giving up some of my commitments, long urged by family, is looking more likely. Damaging patterns can be difficult for me to acknowledge, even now; and traps can become fur-lined, but I'm sure I've said that before.
I've blogged an article originally published in The Tides of Time on that publication's website. Empty Pockets, Empty Shelves is a short look at how the character of the Twelfth Doctor was represented in motifs destroyed or dispersed at the arrival of the Thirteenth Doctor and how these absences help define the Doctor as now portrayed by Jodie Whittaker.
I've admired Maira Kalman's work when I have seen it, but haven't owned any of her books until this Christmas when I found this among my presents. Kalman's sensitivity towards her subjects was always evident and it's right that a volume should concentrate on her dogs, now needy, now loving, sometimes furious, often content. The original content which frames the book demonstrates relationship with dogs interwoven with her family background - which treated dogs with suspicion - and her marriage to Tibor Kalman, whose terminal illness led to her acquiring her 'beloved dog' Pete. I wasn't familiar with her series of children's books about the dog poet Max Stravinsky, but now know something of his flight to Paris to be a poet and his subsequent adventures among mondes belle and demi-. as well as many of the other dogs Kalman has depicted, curious, furious, studious or just stupidly happy in an endearing canine way. Pete's connection with death is never far away - prose accompanying the last painting of Pete compares her longing to hear a word from him to 'asking to hear one word from a loved one who has died' - but Kalman's art celebrates life in all its diversity, with dogs enjoying their own careers as well as offering mirrors to human souls.
The title is a little misleading, as part of Isabel Hardman's argument is that the popular perception (if she sets it up accurately) that the United Kingdom has the wrong politicians is mistaken, and that to some extent politicians are trapped in a system which too many people have vested interests in not changing. The bias towards people able and willing to fund their own campaigns - both to become a candidate, and then to be elected to parliament - and against women - with conservatism over women's roles rife in all parties. The book is rich in anecdotes about selection, election, bill committees, select committees, and the combined results of the efforts of the whips and the sheer weight of government business to ensure that bad bills reach the statute book. Few pages - indeed, only a few lines - are devoted to comparisons with other legislatures, and only a little more space is devoted to reform. Ideas include reviving bill committees after the passage of a bill so that members can hear evidence on how a bill works in practice, but it's difficult to see how this would provide a constructive method to improve on legislation. More concrete suggestions include salaries for parliamentary candidates, and salaries for members of select committees, as well as dedicated staff.

This isn't an apologia, even though Hardman did fall in love with one of her MP case studies which I'm sure isn't recommended practice. There is a lot of reporting of situations in recent years where MPs off and on the front benches should have done much better, being distracted by the legality of a proceeding - such as the invasions of Iraq and Libya - over the practicalities and details of the post-invasion plans, or in the case of Andrew Lansley's Health and Social Care Bill allowing it to career into the Commons without either of the Coalition government party leaders understanding what was planned. However, while entertaining it leaves one more frustrated with the state of affairs than confident about solutions.
Tags:
My review, this week at the Doctor Who News Page's reviews section.

Afterword on my review, at The Event Library

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Also, news on the publication of issue 42 of the Oxford-based Doctor Who fanzine, The Tides of Time.
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